Agate cameo. Bust of Ulysses. This iconography spread during the 18th and 19th century; the variants, except several ...

Cameo in white glass-paste with colored rear. Bust of Alexander the Great with Hammon's horns. Fragmentary and reshaped ...

Post-classical intaglio on an ancient glass. Draped female bust, turned to the left. The elaborate hairflow draws ...

Seal. Burnt carnelian intaglio. Bust of an emperor, turned to the right. The stone is set into a rotating (on two ...

Carnelian intaglio. Allegory of hope and wait: a draped woman is leaning on an anchor, looking into the distance. ...

Garnet intaglio. Heraldic emblem. A lion is positioned above a crown, leaning one of its paws on a crest. Intaglio used ...

Rare, green tourmaline intaglio. Veiled bust of a roman matron, turned to the left. The face is characterized by ...

Attractive double-layered agate intaglio. Male bust, turned to the left. The portrait of a young man is characterized ...

Elegant banded agate intaglio. Portrait of a gentlewoman. Face and hairdo can be traced back to the half of the 19th ...

Attractive and large cameo in double-layer agate. Bust of Apollo. The god, depicted in all his young beauty, is turned ...

Deep red carnelian intaglio. Caius Mucius Scaevola puts his right hand on a burning altar. According to the ancient ...

Agate intaglio. Genre scene: a naked male figure, standing three quarters with head in profile, is disemboweling an ...

Double-layered agate cameo. Roman amphora. Intense stone shades, mirror-finish polishing. Jutting relief, undercut ...

Elegant aquamarine intaglio (heliodor). Heron, with a half moon. Hemblematic composition of an astral symbolic value ...

Couple of striped agate, engraved cufflinks. The lot is made of two intaglios: a satyr, walking on ahead, holding a ...

English brooch. Transparent glass intaglio, set in a metal brooch (not an impression). Horse ride: two horses, ridden ...