A carnelian intaglio, mounted in a metallic seal. Portrait bust of Alexander Pope (1688-1744). A. Pope was one of the most important english poets of 18th century, and his effigy, comparable to that of the intaglio for its total similarity (even for clothes) is present on the bronze medal (1741) by J.A. Dassier (see V&A Museum collection database, inv. A.23-1984). The poet is turned to the left and wears an elegant cape, enveloped around the bust. The jutting profile of the character, portrayed in middle age and extremely faithful to his real physiognomy, is characterized by a strong realism, which can be traced to the works by Edward Burch (1730- 1814), famous english engraver, considered one of the greatest of his time and a master of physiognomic portraiture. Among his works there is (among the Tassie plaster casts) a very similar portrait of Alexander Pope. The intaglio has been carried out with competence, and faithfully expresses the features of the famous poet, in the style and competence of E. Burch. The gem is set as a seal in a metallic, golden mounting. Excellent conditions. For comparisons: G. Seidmann, The diversity of Edward Burch, in "Le gemme incise nel Settecento e Ottocento", p. 24 fig. 17. Second half of 18th century.
Intaglio 19 x 15 x 3 mm; mounting 18x 22 x 28 mm.